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Fear Eats the Soul
Spalajković, Tamara ; Marković, Nikola (referee) ; Mazanec, Martin (advisor)
For my master thesis I present a video installation named Orlando: Fear Eats the Soul. The project aims to explore the tension created by performative disrupting of the complex relationship between humans and digital images. Contemporary modes of our (human) interaction with digital media challenge the divide between digital and “real.” The video and the installation deal with the potential of performative addressing of this divide through a fictional narrative, utilizing the formal characteristics of a digital camera (apparatus) as a gatekeeping instrument. In this documentation I elaborate on the theoretical and contextual foundations of the project and offer insight into the methods used in the production of the video – the central piece of the installation.
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Fear Eats the Soul
Spalajković, Tamara ; Marković, Nikola (referee) ; Mazanec, Martin (advisor)
For my master thesis I present a video installation named Orlando: Fear Eats the Soul. The project aims to explore the tension created by performative disrupting of the complex relationship between humans and digital images. Contemporary modes of our (human) interaction with digital media challenge the divide between digital and “real.” The video and the installation deal with the potential of performative addressing of this divide through a fictional narrative, utilizing the formal characteristics of a digital camera (apparatus) as a gatekeeping instrument. In this documentation I elaborate on the theoretical and contextual foundations of the project and offer insight into the methods used in the production of the video – the central piece of the installation.
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Audiovisual performance in the context of digital environment
Kořínek, Tomáš ; Šisler, Vít (advisor) ; Kera, Denisa (referee)
The goal of this thesis is to describe the influence of technological development on the ways in which the moving image is created and to introduce forms that this medium attains in the area of live audio-visual performances. The theoretical study approaches this topic as a historical overview of technical image, focusing on its connections with music. It thus observes specific creative processes of the avant-garde film and music video and subsequently puts them into the context of current types of moving picture created as a result of software codes. Based on the definitions of digital media's key principles, a theoretical basis is set up and then applied to the description of contemporary forms of audio-visual performances. These principles are also used for the definition of the features of software tools, numeric representations of which make it possible to work with any type of an image as with a set of mathematical functions. The main result of this thesis is thus a presentation of creative possibilities of today's image, which has - thanks to digital devices - disengaged itself from its previous technical limitation and become a fully dynamic element that can be created and modified in real time.
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Audiovisual performance in the context of digital environment
Kořínek, Tomáš ; Šisler, Vít (advisor) ; Kera, Denisa (referee)
The goal of this thesis is to describe the influence of technological development on the ways in which the moving image is created and to introduce forms that this medium attains in the area of live audio-visual performances. The theoretical study approaches this topic as a historical overview of technical image, focusing on its connections with music. It thus observes specific creative processes of the avant-garde film and music video and subsequently puts them into the context of current types of moving picture created as a result of software codes. Based on the definitions of digital media's key principles, a theoretical basis is set up and then applied to the description of contemporary forms of audio-visual performances. These principles are also used for the definition of the features of software tools, numeric representations of which make it possible to work with any type of an image as with a set of mathematical functions. The main result of this thesis is thus a presentation of creative possibilities of today's image, which has - thanks to digital devices - disengaged itself from its previous technical limitation and become a fully dynamic element that can be created and modified in real time.
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Dynamics of image or life on the flat
Kamenský, Lukáš ; Arbanová, Linda (advisor) ; Raudenský, Martin (referee)
'The focus of this thesis is the ways in which art and motion come together in paintings of the 20th century. It also deals with the connection between art and film, and how film production has been affected by art in visual, creative, and technical ways. The didactic part of the thesis examines the relationship between static and dynamic images, and my own work will explore the way static and dynamic images interact in classic animated film.'
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Dynamics of image or life on the flat
Kamenský, Lukáš ; Arbanová, Linda (advisor) ; Hůla, Zdenek (referee)
'This thesis is focused on ways in which art and motion come together in paintings of the 20th century. It also deals with the connection between art and film, and how film production has been affected by art in visual, creative and technical ways. The didactic part of the thesis examines the relationship between static and dynamic images and my own work will explore the way static and dynamic images interact in classic animated film.'
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